Paul Simon's last appearance in Rome was in what has now become the historic final performance with Art Garfunkel on 31 July 2004 in a free concert in front of the Colosseum before a crowd of 600,000 spectators who filled the entire length of Via dei Fori Imperiali as far as Piazza Venezia. Two years earlier Paul Simon had given another amazing (and again, free) concert at the Galoppatoio in Villa Borghese Park to a capacity crowd of 50,000. Having seen him twice, therefore, and knowing what a brilliant performer he is live I didn't hesitate at getting tickets for his first paid show in the capital and the chance to see him in the smaller setting of the Cavea at the Auditorium. Yet such is the energy of the man that even on a sizzling hot July evening he had everybody in the audience clapping and cheering as if they were at a stadium! Early on he commented (as many other performers before him have done) about the physical distance that separated him from the audience who were seated way back from the stage – I wish we weren't so far apart... - although by the end people were on their feet and dancing at the foot of the stage regardless of what the Auditorium rules might say!
When you're Paul Simon choosing a set list must be an arduous task – what DO you choose with such a staggering back catalogue behind you? I really enjoyed the selection which showcased his entire career with tracks from most albums including some real gems like Train In The Distance from Hearts and Bones, Duncan from Paul Simon as well as three tracks from his latest outing Surprise – Outrageous, How Can You Live In The North East and Father And Daughter. Graceland dominated the set list (who's complaining...?) with five tracks in total lifted from that award winning album. The Simon & Garfunkel tracks predictably went down a storm – the intro to Mrs. Robinson included a wonderful reference to Mystery Train by Elvis, The Sounds of Silence with just voice and guitar was a masterpiece of understatement and The Boxer was the audience sing-along song in the second encore. The most surprising Simon & Garfunkel inclusion for me was The Only Living Boy In New York.
All in all there were too many high points to mention. Sheer perfection! Am looking forward to next time!
Full set list (I think this is complete...if there are any omissions please feel free to leave a comment below!)
Gumboots
The Boy In The Bubble
Outrageous
(intro Mystery Train) Mrs Robinson
How Can You Live In The North East?
Slip Slidin´ Away
Me And Julio Down By The Schoolyard
You´re The One
Duncan
Train In The Distance
The Teacher
The Sounds of Silence
The Cool Cool River
The Only Living Boy In New York
Graceland
Father And Daughter
Diamonds On The Soles Of Her Shoes
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Still Crazy After All These Years
You Can Call Me Al
That was Your Mother
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The Boxer
Late In The Evening
Incidentally, Paul Simon was supported by blues guitarist and singer-songwriter Robben Ford who played a really enjoyable half hour set as the Cavea filled. I'll admit I hadn't actually heard of him before but will now investigate his work - I was really pleased to have arrived early enough to have seen him perform.
Thursday, July 31, 2008
Paul Simon | The Auditorium, Rome | 29 July 2008
Wednesday, July 30, 2008
Lucilla Galeazzi and Fabrizio De Rossi Re | Villa Doria Pamphilj, Rome | 28 June, 2008
Monday evening saw the closing concert in the series Concerti nel Parco in the wonderful setting of Villa Doria Pamphilj, the largest of Rome's public parks. The Umbrian singer Lucilla Galeazzi and the Roman singer and jazz pianist Fabrizio De Rossi Re both perform traditional Italian folk songs and this evening saw them revisit some classics in surprising and entertaining ways in a performance entitled Canti tra cielo e terra (Songs between Land and Sky).I'm a huge fan of Lucilla Galeazzi and try to see her whenever she plays in Rome but thoroughly enjoyed De Rossi Re's exhilarating jazz reworking of some numbers, in particular the two songs which opened the show La storia di Isabella di Lorena and La mamma del mio amore and a duet with Giuppi Paone Mamma mia mi voi maridà.
From the second she stepped on stage, however, it was clear from the cheers from the audience, that most people were there to see the immensely talented folk icon Lucilla Galeazzi who, once again, gave an impeccable performance and literally stole the show with her incredible voice and charismatic presence. The set show stopper for me was the Luigi Tenco song Mi Sono Innamorato Di Te.
Sunday, July 27, 2008
Björk | The Auditorium, Rome | 25 July, 2008
An added instrumental bonus which served as a brief intermission of sorts was the Overture from Selma Songs, the soundtrack to Dancer in the Dark which was played by The Wonderbrass before Björk joined them again on stage to perform the oldest of the tracks that evening, Anchor Song from her first album Debut.
The Cavea is an intimate venue seating only 2000 people and concert goers tend to stay seated longer there than they maybe would anywhere else, and certainly the over zealous security guards often try to stop any keen fans from nearing the stage, so it was down to Björk herself to get everybody up on their feet – You're too polite! Stand up! she cried - and stand we did and those lucky enough to be sitting in the stalls could at last rush the stage! During Hyperballad too she encouraged the audience to sing along saying We are in Italy! closing the show with a frenetic Pluto which the audience kept on chanting throughout the applause till she reappeared for the Volta Tour anthem Declare Independence – Roma, Raise your Flag! An unforgettable evening.
Full set list:
Intro
Earth Intruders
Unravel
Hunter
Pleasure is All Mine
Desired Constellation
Hidden Place
Jóga
Overture
Anchor Song
Army of Me
Triumph of a Heart
Wanderlust
Vökuró
Hyperballad
Pluto
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Declare Independence
Labels: Björk, cavea, Concert Reviews, Luglio Suona Bene, the auditorium
Sunday, July 13, 2008
Sigur Rós | The Auditorium, Rome | 12 July, 2008
A sell out concert - less fortunate fans were sitting just outside the entrance to listen - this was a stunning spectacle in every way. The four men moved around the stage playing glockenspiels to keyboards to percussion, as well as the electric guitar played with a cello bow, and were joined by an all woman string quartet and five piece brass band (who first marched on stage in a wonderful moment of showmanship as an interlude during Se Lest) with Jónsi Birgisson's extraordinary falsetto being the glue which somehow held the eclectic musical strands together into a wonderful whole.
When the audience were invited to get to their feet and clap during the pre-encore finale Gobbledigook I honestly believe that every single person was out of their seat and clapping and stamping their feet – and continued applauding till the band reappeared for a stunning encore closing the show with Popplagið (Untitled 8) – and then we applauded even louder and longer till the entire cast of players reappeared and took their bows. And yet after two hours of music the audience still wanted more and weren't happy till Sigur Rós came out one more time to take yet another curtain call. Unmissable.
Friday, July 11, 2008
Mercedes Sosa | The Auditorium, Rome | 9 July, 2008
At the finale of the concert she removed the red shawl which she had worn throughout the evening and was helped to her feet to sing the Argentine National Anthem - Himno Nacional Argentino - for 9th July is also Argentine Independence Day.
Wednesday, July 9, 2008
Patricia Arquette at Roma Fiction Fest 2008
Roma Fiction Fest runs until 12 July.
Labels: Patricia Arquette, Roma Fiction Fest